Robert B. Parker's Old black magic
(Large Print)
"Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon the cold art case thrusts Spenser into the shady world of black market art dealers, aged Mafia bosses, and old vendettas. A five-million-dollar-reward by the museum's top benefactor, an aged, unlikable Boston socialite, sets Spenser and pals Vinnie Morris and Hawk onto a trail of hidden secrets, jailhouse confessions, and decades-old murders. Set against the high-society art scene and the low-life back alleys of Boston, this is classic Spenser doing what he does best"--
The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon Spenser is thrust into the shady world of black market art dealers, aged Mafia bosses, and old vendettas.
Notes
Atkins, A., & Parker, R. B. (2018). Robert B. Parker's Old black magic. Large print edition. Farmington Hills, Mich, Thorndike Press, a part of Gale, a Cengage Company.
Chicago / Turabian - Author Date Citation (style guide)Atkins, Ace and Robert B. Parker. 2018. Robert B. Parker's Old Black Magic. Farmington Hills, Mich, Thorndike Press, a part of Gale, a Cengage Company.
Chicago / Turabian - Humanities Citation (style guide)Atkins, Ace and Robert B. Parker, Robert B. Parker's Old Black Magic. Farmington Hills, Mich, Thorndike Press, a part of Gale, a Cengage Company, 2018.
MLA Citation (style guide)Atkins, Ace, and Robert B. Parker. Robert B. Parker's Old Black Magic. Large print edition. Farmington Hills, Mich, Thorndike Press, a part of Gale, a Cengage Company, 2018.
Record Information
Last Sierra Extract Time | Mar 11, 2024 03:18:31 PM |
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Last File Modification Time | Mar 11, 2024 03:18:48 PM |
Last Grouped Work Modification Time | Apr 25, 2024 12:34:31 PM |
MARC Record
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---|---|---|---|
001 | 1029062512 | ||
003 | OCoLC | ||
005 | 20180523042627.0 | ||
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245 | 1 | 0 | |a Robert B. Parker's Old black magic /|c Ace Atkins. |
246 | 3 | 0 | |a Old black magic |
250 | |a Large print edition. | ||
263 | |a 1805 | ||
264 | 1 | |a Farmington Hills, Mich :|b Thorndike Press, a part of Gale, a Cengage Company,|c 2018. | |
264 | 4 | |c ©2018 | |
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490 | 1 | |a Thorndike Press large print core | |
500 | |a Sequel to: Little white lies. | ||
520 | |a "Iconic, tough-but-tender Boston PI Spenser delves into the black market art scene to investigate a decades-long unsolved crime of dangerous proportions. The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece stolen, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon the cold art case thrusts Spenser into the shady world of black market art dealers, aged Mafia bosses, and old vendettas. A five-million-dollar-reward by the museum's top benefactor, an aged, unlikable Boston socialite, sets Spenser and pals Vinnie Morris and Hawk onto a trail of hidden secrets, jailhouse confessions, and decades-old murders. Set against the high-society art scene and the low-life back alleys of Boston, this is classic Spenser doing what he does best"--|c Provided by publisher. | ||
520 | |a The heist was legendary, still talked about twenty years after the priceless paintings disappeared from one of Boston's premier art museums. Most thought the art was lost forever, buried deep, sold off overseas, or, worse, destroyed as incriminating evidence. But when paint chips from the most valuable piece, Gentlemen in Black by a Spanish master, arrives at the desk of a Boston journalist, the museum finds hope and enlists Spenser's help. Soon Spenser is thrust into the shady world of black market art dealers, aged Mafia bosses, and old vendettas. | ||
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