The shock of the new.: Volume 1 and 2
(DVD)
The mechanical paradise: Explores Western art during the period 1870-1914 and shows how the artists of this period reflected the fragmentation and mechanization of urban life. The powers that be: Examines the art of the post-World War I period, including Dada and German expressionism, and discusses how art reflected the intellectual and political mood of the period.
Notes
Hughes, R., Pegram, L., Dench, J., Church, T., Jarvis, M., Crump, M., & Barrett, D. (2001). The shock of the new. New York, Ambrose Video Pub.
Chicago / Turabian - Author Date Citation (style guide)Robert Hughes et al.. 2001. The Shock of the New. New York, Ambrose Video Pub.
Chicago / Turabian - Humanities Citation (style guide)Robert Hughes et al., The Shock of the New. New York, Ambrose Video Pub, 2001.
MLA Citation (style guide)Hughes, Robert, et al. The Shock of the New. New York, Ambrose Video Pub, 2001.
Record Information
Last Sierra Extract Time | Mar 06, 2024 01:44:34 AM |
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Last File Modification Time | Mar 06, 2024 01:44:54 AM |
Last Grouped Work Modification Time | Mar 06, 2024 01:44:41 AM |
MARC Record
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245 | 0 | 4 | |a The shock of the new.|n Volume 1 and 2|h [videorecording (DVD)] /|c BBC-TV in association with Time Life Films and RM Productions, Munich. |
264 | 1 | |a New York :|b Ambrose Video Pub.,|c [2001] | |
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505 | 0 | |a Vol. 1. The mechanical paradise -- v. 2. The powers that be. | |
508 | |a Producer, Lorna Pegram; writer, Robert Hughes; music, Elizabeth Parker. The mechanical paradise: readers, Judi Dench, Martin Jarvis; editor, Martin Crump. Trouble in Utopia: readers, Tony Church, Martin Jarvis; editor, David Barrett. | ||
511 | 0 | |a Presenter, Robert Hughes. | |
520 | |a The mechanical paradise: Explores Western art during the period 1870-1914 and shows how the artists of this period reflected the fragmentation and mechanization of urban life. The powers that be: Examines the art of the post-World War I period, including Dada and German expressionism, and discusses how art reflected the intellectual and political mood of the period. | ||
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